Stained Glass in Lingnan Historic Buildings and Its Application in Manchuria Windows
Abstract:Stained glass has been extensively applied in Lingnan historic buildings, especially unique stained art glass windows which will be usually used at doors and windows needing large-area lighting for the purpose of ventilation and lighting, and they are called Manchuria windows. First of all, under the historical application background of stained glass in the Lingnan area, this study discussed the types of stained glass and the technological development in Guangzhou. Secondly, the fabrication process of glass etchings was generalized. Next, the application laws of stained glass in Manchuria windows of Lingnan historic buildings were explored. Finally, the basic combination modes of stained glass applied in Manchuria windows were obtained. These laws and modes can not only provide a reference for the repair of Lingnan historic buildings but also constitute an enlightenment on the windowing form and artistic creation of modern buildings.
摘要：岭南历史建筑中随处可见彩色玻璃的应用，尤其是在需要大面积采光的门窗位置会使用一种独特的艺术玻璃花窗作为通风采光之用，被称为满洲窗。本文从岭南地区彩色玻璃使用的历史为背景，首先梳理广州地区彩色玻璃类型与工艺发展。其次，归纳蚀刻玻璃画的制作过程。再次，通过在岭南历史建筑满洲窗中的使用，挖掘彩色玻璃在满洲窗中的应用规律。最后得出彩色玻璃在满洲窗中应用的基本组合方式。这些规律与方式不仅可为岭南历史建筑的修缮提供参考，也可以为现代建筑的开窗形式与艺术化营造提供新的启发。
关键词：岭南建筑；彩色玻璃；满洲窗
引用格式：Yan, L., & Chen, Y. (2021, April). Stained Glass in Lingnan Historic Buildings and Its Application in Manchuria Windows. In Journal of Physics: Conference Series (Vol. 1885, No. 3, p. 032052). IOP Publishing.
论文框架：
1. Introduction
2. Types of Stained Glass
3. Fabrication Process of Stained Glass Etchings
3.1. Material preparation
3.2. Carve draf
3.3. Pattern etching
3.4. Cleaning of finished product
4. Stained Glass and Manchuria Window
4.1. Correct understanding of Manchuria window
4.2. Combining form of Manchuria window
4.2.1. Fang-Dou combination
4.2.2. Colours of glass
4.2.3. Combination of units
4.2.4. Opening and closing form of window
4.2.5. Alternation of various combinations
5. Conclusion
论文插图：
Figure 1: Material preparation (painted by the author)
Figure 2: Carve draft (painted by the author)
Figure 3: Pattern etching (painted by the author)
Figure 4: Cleaning of finished product (painted by the author)
Figure 5: Fang-Dou combination (painted by the author)
Figure 6: Combination of units (painted by the author)
Figure 7: Alternation of various combinations (painted by the author)
