本项目是隈研吾事务所与MASU Planning合作设计的全新H.C.安徒生博物馆，该博物馆坐落在安徒生出生的城市中心的花园和Tinderbox文化中心内。博物馆所在场地位于Odense市中心老住宅区和新城区之间，周边围绕着众多中世纪的传统小木屋。
TheprojectistocreateanewbuildingfortheH.C.Andersenmuseum,thegardenandTinderboxculturalcenterintheheartofthecitywhereAndersenwasborn.ThesiteislocatedinbetweentheresidentialareawithsmalltraditionalwoodenhousesfromthemiddleageandthenewlydevelopedurbanareainOdense.
▼项目概览，overall of the project© Rasmus Hjortshøj / COAST
在本项目中，那些著名的童话故事不仅将以书面形式呈现出来，更会通过博物馆和花园的物理空间为人们带来沉浸式的体验和感知。安徒生的作品中蕴含着深刻的哲理，同时也反映了作者的人生和经历。他的作品投射出我们周围对立事物的二元性：真实与想象，自然与人造，人与动物，光明与黑暗……世间的事物并不是非黑即白的，对立事物也是普遍共存的。本项目的设计就是要以建筑和景观的形式来体现安徒生作品的精髓。
Thestoriestobetoldherearenotonlyinwrittenform,butitistobeexperiencedandsensedthroughphysicalspacesinthemuseumandinthegarden.ThereareprofoundmessagesinHCAndersen’swritingthatreflectstheauthor’slifeandhislifetimejourney.Andersen’sworkprojectsthedualityoftheoppositethatsurroundsus;realandimaginary,natureandmanmade,humanandanimal,lightanddark…Theoppositeofthematterscoexist,theyarenotinblackandwhite.Ourarchitecturaldesignistoreflectthisessenceofhisworkinarchitecturalandlandscapeform.
▼项目与周边环境鸟瞰，aerial view of the project and surrounding environment© Rasmus Hjortshøj / COAST
▼顶视图，top view of the site© Rasmus Hjortshøj / COAST
博物馆空间由一系列相切的圆形体量组成，体量之间相互串联，如同一条项链，以无等级、无中心的方式组织在一起。连续的曲面绿墙在场地中延伸，勾勒出地下空间的轮廓，同时界定出地面上的花园和路径。它们在整个场地中蜿蜒曲折，将地上景观与地下空间联系在一起。随着绿墙的出现和消失，游客们会发现室外和室内场景在不经意之间发生了自然地转换。整个博物馆的探索之旅将是带有叙事性的，并呈现出安徒生童话故事作品的元素；相反的二元性，消解的边界，将通过空间的构成和模糊的空间概念得到解读。
Themuseumspacesarecomposedbyaseriesofcircularformsthataretangenttoeachotherlikeachain.Theyareorganizedinnon-hierarchical,non-centricmanner.Thecontinuouscurvelineargreenwallexpandsandtracestheundergroundspacestructureanddefinesthegardenandpathsaboveground.Itmeandersandweavesinandout,aboveandunderthegroundthroughoutthesite.Inthesequenceofintertwinedspacesvisitorswillfindthemselvesinbetweenoutsideandinsideasthegreenwallappearsanddisappears.Thejourneyofthemuseumwouldbethenarrative,theelementsofhiswork;dualityoftheopposite,dissolvingtheboundary,willbereadthroughspatialcompositionandtheambiguity.
▼由轻轨看博物馆，viewing the museum from the tramway© Rasmus Hjortshøj / COAST
▼建筑与景观的融合，integration of architecture and landscape© Rasmus Hjortshøj / COAST
▼场地中的慢行自行车道，the slow cycle path in the site© Rasmus Hjortshøj / COAST
展览空间被规划在地下，迷人的地面花园由曲线树篱组成，勾勒出地下展览空间的轮廓。博物馆的参观体验以花园中蜿蜒小径的形式得到了延伸。在这里，建筑的建造形式被削弱，游客将被引入由茂盛树木和树叶创造的“迷宫”般的空间中。地下世界通过一系列下沉庭院与地面花园相连，从地面上看，这些下沉庭院如同一个个“洞穴”，打开了从童话世界到现实世界的“大门”。自然元素与建筑元素的融合造就了这座景观建筑，进而为游客们创造出独特的体验。
Theexhibitionspacesareplannedunderground.Theenchantinggardenabovegroundiscomposedwithcurvelinearhedgethattracestheexhibitionspacesbelow ground.Themeanderingpathsthroughthegardenaretobeexperiencedastheextensionofthemuseum.Herethearchitecturalbuiltformisdiminishedandvisitorswouldbeleadintothe“maze”likespacecreatedbytreesandleaves.Undergroundworldisconnectedtothegardenabovethroughseriesofsunkengardenthatappearslikea“hole”ontheground,“portal”fromfairytaleworldtotheworldoutside.Thelandscapedarchitecture,whereelementsofnaturearemergedwitharchitecturalelements,iswhatwouldmaketheexperienceunique.
▼由地面花园看下沉庭院，viewing the sunken patio from the ground garden© Rasmus Hjortshøj / COAST
▼由花园看建筑，
viewing the museum from the garden© Rasmus Hjortshøj / COAST
建筑的落成也是花园生机的开始，随着时间的推移，丰富的植物将在花园中扎根发芽。在未来的几年里，花园将逐渐趋于成熟，色彩、气味、景观密度，建筑透明度，以及花园风景都将改变，让游客和社区感受到自然的气息与季节的交替。可以说，HC安徒生博物馆将在Odense新城市景观中发挥核心的作用。
Thebuildingcompletionisthebeginningofthelifeofgarden.Itisdesignedtogrowovertimeandsetitsroot.Overtheyearstocome,thegardenwillmature,willofferthevisitorsandthecommunitythesenseofnatureandseasons,changeofcolors,scent,density,transparency,andsceneryinitsgrowth. TheHCAndersen’sMuseumwouldplayacoreroleinnewUrban-scapeofOdensecity.
▼下沉庭院，the sunken patio© Rasmus Hjortshøj / COAST
▼下沉庭院景观，landscape of the sunken patio© Rasmus Hjortshøj / COAST
博物馆的平面规划涉及到一条城市主干道的封闭，其目的旨在将目前割裂的新旧两个城区联系在一起。博物馆花园为城市创造出一处高质量的全新公共空间，为这个处于新旧交界处的地块赋予了“生命”。这个安徒生出生的城市如今仍保留着大量中世纪的城镇景观，街道蜿蜒曲折，与现代城市中宽阔笔直的快车道形成对比。蜿蜒的小径与树篱花园旨在恢复城市中人文尺度的品质，在新旧城区之间形成软性的链接。
Thedevelopmentplanistocloseoffoneofthearterialroadsandreconnecttwopartsofthecity;newandold,whicharecurrentlyseparated.TheGardenofthemuseumistoofferanewqualitypublicarea,givinglifetothis“inbetween”zone.Onepartofthecitywherethebirthhouseofthewriteris,remainsthemedievaltownscapewithsmallandmeanderingstreets,theoppositeofmodernurbandevelopmentwithwideandstraightfastlanes.Themeanderingpathandhedgegardenistobringbackthehumanscalequalitytomakeasoftlinktotheurbanareaofthecity.
▼老城区街道一侧入口，entrance of the site along the old town street© Rasmus Hjortshøj / COAST
▼入口大厅，entrance hall© Rasmus Hjortshøj / COAST
▼楼梯，staircase© Rasmus Hjortshøj / COAST
▼通高中庭，double-height atrium© Rasmus Hjortshøj / COAST
▼儿童工坊，children’s workshop© Rasmus Hjortshøj / COAST
疫情为本项目的建造带来了意想不到的挑战，包括工作顺序与计划的改变、采购的困难等等。人们日常活动中所习惯的现实和规范都受到了无形、甚至无理的制约。对建筑师来说，这种过程就如同安徒生的童话世界，需要逃离这种“无形”或学会适应，应对未知。可以说，安徒生故事中所蕴含的哲理直到今天都是很有说服力的。
Duringtheconstructionofthebuilding,wewereputintheuniquesituation,thePandemic.itimposedusallunexpectedchallengesincarryingthework,insequencing,planning,sourcingandsoon.Therealityandnormwewereaccustomedtoindailyactivitieswerequestionedbythecausethatwereintangibleandincomprehensible.ItfelttomeasifwewereexperiencingAndersen’sworldoffairytales,flightingtheinvisibleorlearntoadapt,copewiththeunknow.Hisstoriesspeaktousloudtoday.
▼夜景，night view© Rasmus Hjortshøj / COAST
▼地上花园与建筑夜景，night view of architecture and ground garden© Rasmus Hjortshøj / COAST
▼建筑细部，details of the building© Rasmus Hjortshøj / COAST
TEAM: Yuki Ikeguchi, Nicolas Guichard, Miruna Constantinescu, Elise Fauquembergue
CONSTRUCTION: S. Guldfeldt Nielsen A/S
COOPERATION: Søren Jensen Engineering Consultants A/S
FACILITY: Søren Jensen Engineering Consultants A/S
EXTERIOR: MASU Planning
ILLUMINATION: Jesper Kongshaug
OTHERS: EVENT Communication, C&W Architect, Mir
PUBLICATION: GA DOCUMENT 162 , GA JAPAN 178 , GA DOCUMENT 147 International 2018 , Nikkei Architecture 2016/06/09
PHOTOGRAPHY: ©︎ Rasmus Hjortshøj / COAST
TEXT: YukiIkeguchi,Partnerincharge,KengoKumaandAssociates
More:隈研吾建筑都市设计事务所，MASU Planning。更多关于他们：Kengo Kuma and Associateson gooood，MASU Planningon gooood.
